Interactive Facebook Infographic

What attracted me in the below video of Jean-Jacques Parys was not the subject itself but the idea of creating a beautiful interactive user experience  for the web in a University project. I loved the idea of merging between the social media and our social need and dependency… Facebook is revolutionizing the way people, coutries and governments think. just like it has revolutionized the entire Arab world and the North Africa… It is the time to adapt the Social Media and make it your best friend before it becomes your enemy.

Watch and Enjoy!

Heineken’s Entrance Campaign Topped the Viral Chart

Weiden & Kennedy “Agency of the Year” was the real driving force behind the brilliant Heineken’s Campaign “The Entrance”. It is the cornerstone of a new web campaign that topped the Viral Chart in Mid-Jan 2011 with more than 2 million views.

The 90-second video, featuring a man with over-the-top timing and grace, is supported by several others that give humorous back stories to the scene: “Kung Fu Comback,” “The Man with the Eye Patch,” “The Perfect Gift” … you get the idea.

Also new to the chart is another spot, or more accurately a mini-movie, for Lego called “Brick Thief,” a sequel of sorts to “Lego Click” launched almost exactly a year ago, and also created by Pereira & O’Dell. Maybe it’s me, but these videos seem incredibly high-budget for something made for the web, a sign of the growing importance of this kind of brand marketing.

The third newcomer was National Geographic Magazine’s “7 Billion,” a three-minute video promoting a year-long project on global population growth.


Brand Campaign Agency 11June Views* % Change Watch the Spot
1 New Heineken The Entrance Wieden & Kennedy 2,084,195 New Heineken: The Entrance
2 3 Evian Live Young BETC Euro RSCG 937,519 +2% Evian: Live Young
3 1 Excentric The Digital Story of 

the Nativity

N/A 866,465 -61% Excentric: The Digital Story of the Nativity
4 5 DC Shoes Gymkhana Three In-house 851,019 +64% DC Shoes: Gymkhana Three
5 New Lego Brick Thief Pereira O’Dell 746,243 New Lego: Brick Thief
6 4 Blendtec Will it Blend? In-House 734,789 -5% Blendtec: Will it Blend?
7 2 Old Spice The Man Your Man 

Could Smell Like

Wieden & Kennedy 726,548 -36% Old Spice: The Man Your Man Could Smell Like
8 6 Old Spice Responses Wieden & Kennedy 599,475 -13% Old Spice: Responses
9 New National Geographic 7 Billion N/A 502,377 New National Geographic: 7 Billion
10 10 DC Shoes Gymkhana Two In-house 491,490 -5% DC Shoes: Gymkhana Two
Source: Visible Measures

*The Visible Measures Top 10 Viral Video Ad Campaigns Chart focuses on brand-driven viral video ads that appear on online-video-sharing destinations. Each campaign is measured on a True Reach basis, which includes viewership of both brand-syndicated video clips and viewer-driven social video placements. The data are compiled using the Visible Measures Viral Reach Database, a constantly growing repository of analytic data on more than 100 million internet videos across more than 150 video-sharing destinations.

Note: This analysis does not include Visible Measures’ paid-placement (i.e., overlays, pre-/mid-/post-roll) performance data or video views on private sites. This chart does not include movie trailers, video-game campaigns, TV show or media network promotions, or public service announcements. View-count results are incremental by week.* by Michael Learmonth on Ad Age.

‘Avatar’ Marks a Significant Change With Interactive Ads

20th Century Fox’s “Avatar” has already achieved enough major milestones in the past year, with its dual distinction as the most expensive film ever made and the highest-grossing film in worldwide history (before inflation). But with the film’s release on Extended Collector’s Edition Blu-Ray this week, “Avatar” has one last milestone to cross off its list — being among the first advertisers to try out a new drag-and-drop banner ad format.

Debuting this week on the iPad as well as sites such as UGO.com and Syfy.com, a new series of “Avatar” ads from Fox Home Entertainment allow the movie’s fans to preview exclusive scenes and behind-the-scenes footage in a way that befits the film’s augmented-reality-based plot. By clicking on an interactive banner ad, users can drag six exclusive clips from the Blu-ray release and view them on top of the web page’s content — complete with a resizable video player.

Continue reading ‘‘Avatar’ Marks a Significant Change With Interactive Ads’

M&M’s Interactive Creative Campaign!

M&M’s “FIND RED” Promotion!

What triggered me the most in this campaign is not only the creative feel behind it, but the strong interaction with online consumers as well as TV viewers. Watch and Learn!

The five colourful M&M’S spokescandies are looking for their outspoken brother, Red. Canadians will have a chance to win a red smart fortwo coupe by helping with the search in a new online promotion called Find Red created by Proximity Canada.

The search begins on www.findred.ca, where participants can use a version of the Google Maps Street View API to look for three virtual Toronto locations where Red is hidden. To help with the search, the M&M’s characters will seed clues to Red’s whereabouts on various social media channels, including Facebook, where the brand has just launched a new M&M’s Canada fan page.

Brand Loyalty!

How to Use Social Media to Unite Lonely Consumers, Build Brand Loyalty?

Meet Three Brands That Are Getting It Right.


The current burst in social-media use seems to address a fundamental human need: the need to interact with other people. While it may seem that sitting online leads to less human interaction, consumers actually feel they are more connected to people than they were before they joined social networks.

New data from the Harris Poll finds that 54 percent of consumers have had less face-to-face contact with friends recently, but 57 percent feel more connected than they did before. An amazing 60 percent of consumers on social networks say they know what’s going in friends’ lives, even though they do not personally interact with those friends.

One surprising revelation is that social media makes consumers — especially those 18 to 34 years old — feel “very connected” or “connected” to friends of friends or casual acquaintances. Amazingly, 59 percent of consumers in this age range prefer to interact with acquaintances via social media rather than face-to-face, showing how consumers are using social media to maintain these loose ties, rather than let these people slip away.

Given that, examine your own social network. Some of the people I’m connected with are people who share a common interest, and that’s it. I’m loosely tied via Facebook to a guy in a Van Halen tribute band because we both love the band’s music. I’m loosely tied to people on Twitter who have common interests like ATVing, marketing and home recording.

Now, what if those loose ties could be brought to bear on brands? Instead of connecting loosely over guitar heroics or shared occupations, can people come together because of a connection over a brand? Here are three brands that are strengthening consumer loyalty by connecting like-minded consumers in interactive communities and creating a strong sense of community, both online and off.

Continue reading ‘Brand Loyalty!’

“Brand Protection Feature” by YouTube

More Control for Advertisers to Exclude Objectionable Videos, Genres, Channels

For brand advertisers, YouTube can be a scary place, at least in theory. It houses the world’s videos, after all, which include plenty of things a brand might want to sponsor (pet food for a funny cat video, for example) and plenty that most wouldn’t.

Then there are issues unique to certain categories; a vegan food company would probably like to exclude every single “how to butcher a pig” video in their media buys on YouTube.

Enter YouTube’s latest feature, “target excludes,” launching as part of the site’s Video Targeting Tool, which gives advertisers the choice to exclude as few as one video they don’t want their product associated with as well as specific genres and channels. The feature addresses the most often-criticized aspect of YouTube: You can buy video there, but you never know what you’ll get.

Other uses for this new feature by advertisers include improving returns by excluding channels or videos that are not relevant to the brand or those that are performing poorly.

“For example, if you are a makeup company and you know that Rihanna’s concert is sponsored by CoverGirl, you may want to act on that information,” said Shishir Mehrota, head of video monetization at YouTube. As always, Mr. Mehrotra declined to give an update on how YouTube is monetizing, but did say that the company has reached the point where ad revenues exceed its costs for delivering video.

Posted by Irina Slutsky on DigitalNext

Media Agencies Vs. Social Media Units

As marketers shift budgets from traditional media that they buy through advertising to the more labor-intensive social media, it’s natural that media agencies would want to grab a piece of that action. This week we learned from the Wall Street Journal that Interpublic’s Universal McCann and Publicis Groupe’s Vivaki are building out entire divisions dedicated to social media.

But is that a good idea? No, for two reasons that I’ll get to in a minute. But first, a disclaimer: I spend the last year as social-media manager at McCann Erickson (Universal McCann’s sibling agency within Worldgroup). In other words, until I joined Advertising Age last week, I was that guy.

Essentially, I have two issues with what’s being done — where the social media practice is being built, and that it’s being built at all.

Media Buying and Social/Earned Media Don’t Mix
Universal McCann’s expertise is in media buying and planning, an agenda wholly antithetical to everything that is social-media marketing. Yes, media planning should encompass outlets of all types, and thus must take into account planned activity in the social space when allocating funds. However, it’s what UM represents — buying increments of attention through which brands broadcast messages to consumers — that I find so contradictory to the dynamics of social media and, consequently, marketing on social platforms.

Namely, in order to generate the buzz and really tap that word-of-mouth potential, the best investment a brand can make is time. It takes living, breathing, human beings devoting their time to converse with consumers to get a feel for what they want from the brand. It takes time to win their trust. Only after the relationship is built can the strategists and creative teams jump in to leverage that rapport for the purposes of a marketing campaign (or customer service). And even then, the goal is to earn the attention of your audience by providing something valuable, functional, or entertaining, not to buy it.

As such, I was quite surprised to hear that UM is the division of McCann Worldgroup charged with housing Rally and spearheading the social-media initiative for the one-stop-shop. While there are many IPG subsidiaries that may lay a valid claim on social media, Worldgroup, IPG’s “one-stop-shop,” houses only a few viable options. And UM, the branch devoted to purchasing ad units and 30-second ad blocks of attention, is not the one I’d associate with expertise in social media and earning consumer attention.

My only thought is that perhaps as “buying attention” becomes less effective, the intention here is to consciously push UM into a new space via this manufactured evolution.

It’s not that they don’t have a place in the conversation, they do, and it’s in research and metrics or Facebook homepage takeovers that drive to a campaign — areas that naturally flow from traditional media planning — not thought leadership, not campaign development, not strategy. That’s just too far from their core area of expertise. This is why I am utterly confused as to why Worldgroup chose them as their flagship in this space, especially when they are also made up of McCann Erickson and Weber Shandwick, both of which may be much better suited for the role.

Divisions Upon Subdivisions, When Will it End?
Secondly, beyond the confounding undertaking by Universal McCann, we have the industry-wide movement to continuously create new divisions dedicated toward every novel platform or technology as it emerges.

Creating separate divisions like this is essentially admittance that the rest of the organization is too lazy or too stupid keep up, not something I’d like to broadcast if it were my agency. The solution these agencies are looking for is one of education and consistent reeducation, creating a baseline knowledge that obviates the need for entire sections of company to focus on something everyone should understand.

Is there ever reason for bringing in a few specialists when needed? Of course there is, but in leadership roles. And even then, the goal must be to absorb their expertise to the point that it is fully integrated within the work flow structure. The fractal model of building divisions within micro-agencies within agencies is not a solution.

Think about it: As big agencies evolve and grow their capabilities by adding specialist departments, they are simultaneously, and intentionally, building an added layer of separation into the work-flow process. While it may seem like a necessary byproduct, it will only serve to hider efforts and create discord in the long term, and needs to be addressed at the inception point, not as an afterthought.

The more personnel committed to such exacting specialties (the extreme being embodied by these dedicated divisions), the further the agency moves in the wrong direction. The only reason for building out these sub-practices is for branding and positioning. The ultimate goal of these tactics is the generation of additional revenue, not the legitimate development of services or expertise.

Posted by David Teicher on 07.20.10 @ 04:50 PM

What Online Services Can & Can’t Teach You About Your Competition

First, the bad news: If you want a reliable measure of what your competitors are spending online, you’re out of luck. Don’t bother looking for the kind of reliable methods available in traditional media; the web doesn’t offer them.

Methodological problems throw spending figures off wildly. There is some good news, though: Competitive tools for digital display aren’t useless, and you can glean lots of other competitive insights from the data your agency gives you.

First, let’s talk about how you ought to use digital competitive tools:

Do: Leverage Competitive Tools for Creative Insights

While competitive tools might miss details of competitors’ buys, they’re pretty good at giving an overview of what the competition was running over a given timeframe. You’ll be able to see their banner ads and other forms of display ads, and thus get a fairly good idea of what competitors were trying to achieve with their campaign. Seeing “Click Here to Buy” messages in the frames of a banner ad means the ad was part of a direct sales campaign, whereas a “Click Here to Sign Up For Our Newsletter” call to action means the campaign supported CRM. If a competitor was supporting a brand objective, a social media support objective, or a promotion, you’ll be able to tell from the creative that was running at the time.

Continue reading ‘What Online Services Can & Can’t Teach You About Your Competition’

What’s a Facebook Fan Really Worth to Marketers?

True to form, many of the technologies showcased during New York’s annual Internet Week wowed, but what really generated attention were efforts to answer the $64,000 question: How do we measure the value of a Facebook fan, especially since Facebook is a dominant part of a marketer’s toolkit?

Two clever social-media technology companies, Syncapse and Vitrue, took a crack at answering this seemingly simple question. I say seemingly simple because, in reality, the “value” of a fan can mean lots of things such as actual sales value or value as evangelists or value as a research resource in a crowdsourcing campaign.

And given the ad hoc nature of measurement today, it’s no surprise, therefore, that we see wildly divergent answers from these two companies. Syncapse, for instance, assigns the average value of a fan at $136.38, and Vitrue pegs the value of a Facebook fan at $3.60. The wild differences, of course, lies in what you are measuring. Let’s take a closer look.

The Syncapse approach
I got to hear Syncapse CEO Michael Scissons present the findings from a joint, proprietary research study his company did with Hotspex. It was designed to calculate the value of a fan based on a set of attributes as described by Synapse in the study:

* Product spending — Facebook fans spend, on average, $71.84 more than non-fans over a two-year period.
* Loyalty (meaning ability to influence and promote brand loyalty within a target audience) — Facebook fans are 28% more likely to continue using a brand than consumers who are not fans on Facebook.
* Propensity to recommend — 68% of fans are “very likely” to recommend a product to family and friends (as opposed to 28% of non-fans).
* Brand affinity — 81% of fans feel a connection to the brand (versus only 39% of non-fans).

Continue reading ‘What’s a Facebook Fan Really Worth to Marketers?’

How Nike and Pepsi Hijacked the World Cup!

Do you know who the “official” sponsors for the World Cup are?

The world’s greatest sporting spectacle, the World Cup.  You might think from the prevalence of its “Write the Future” campaign on the web and in pop culture, that Nike is an official World Cup sponsor. It’s not. Nor is Pepsi, whose “Oh Africa” has been racking up millions of views on the web since May. Rather, the official sponsors are Adidas and Coke — and both have also produced compelling online videos in association with their campaigns. As we all know, brands often pay significant sums of money to be the exclusive sponsor for high-profile sporting events including the World Cup, Olympics and Super Bowl.

These sponsorships typically include a number of elements and are supported by TV, on premise and promotional support. To their credit, the event organizers themselves go to great lengths in order to protect the value of the sponsors, and the relationship they have with the event. Before the Beijing Olympics, the government assumed control of the outdoor ad space so that the sponsors would be given access to it. For as long as brands have sponsored these events, other brands have tried to ride along on the brand equity of the events as well.

This concept — known as “ambush marketing” — involves running similarly themed campaigns around the time of the event without actually mentioning the event itself. A famous example of this was American Express’ campaign around the Barcelona Olympics, “You don’t need a visa to go to Barcelona” (Visa was the Olympic sponsor). Aware of this practice, sponsoring brands usually think ahead of how to counteract them on site or on TV. Enter the web… As Nike and Pepsi have recently demonstrated, the open distribution and virality of the web create a whole new path for ambush marketing. In the “Write the Future” campaign, Nike produced a video starring their top-tier talent. They then used the web as an initial distribution ground. Two weeks and 15 million-plus views later, Nike has created a brand association with soccer, and likely the World Cup itself. Adidas also produced a very compelling video using talent as well — only it debuted a bit later and was far less seen or distributed. While Adidas may have a significant TV or local presence planned over the next two weeks, it got hijacked online.

So what can a brand do to protect itself, or alternately, what can you do to best position yourself to steal someone else’s thunder?

Start early! While you might not be able to own the conversation, you can at least start it. Plan far in advance — it is better to be a bit early to the party than to miss it completely. Starting the conversation immediately allows you to insert yourself into it.

Spend early! Don’t just plan your viral campaign to start early — adjust some of the spending cycle as well. Social media, rapid news cycles and thousands of bloggers are all affecting marketing plans in ways no one would have predicted 10 years ago. With these new tools, people have more outlets to talk about big events way in advance and websites actually have incentives to do so to increase search and other referral traffic. As a result, there is no shortage of relevant content to associate with from a very early stage, and users are in the right mindset well in advance of where they were years ago. As a frame of reference, type World Cup 2010 into Google — you get 196,000,000 results. Think about that –- there are close to 200,000,000 million pages that have already been indexed about the topic and the event hasn’t even started yet. Be clear While Keith Richman assume that event sponsors have many restrictions on how they can market their association, it is increasingly clear that subtlety does not work online.

As creative as the Adidas video is, it does not directly refer to their sponsorship. Wow factor The videos produced by Nike and Pepsi both have what Keith Richman call “the wow factor.” You watch the video and want to share it as a result of the story and creativity. Adidas and Coke also produced high quality content that was interesting and compelling –- but needed more “wow” to succeed online.

Target an audience! Targeting a specific audience may seem like impractical advice when talking about events like the Super Bowl or Olympics, which are inherently broad and have mass appeal. In reality though, you need a core group of evangelists to help spread the word for you, or you will never reach the broad audiences. Reach out to these evangelists early, let them know what is coming and get them excited.

In today’s world, the web and social media are rewriting the rules of marketing. This presents both new opportunities and challenges for brands, but in any event, is a factor that must be considered when hundreds of millions of dollars in sponsorships are on the line.

Keith Richman, Digital Next, AdAge.com